Dale Watson – Call Me Insane


Dale Watson
has been been making records for 25 years, which makes him as much of a
veteran as any of the honky tonk legends who inspired him in the first
place, and like many music biz lifers, Watson
is a smart guy who knows how to give his fans what they want while
keeping thing fresh so he doesn’t get bored. Released in 2015, Call Me Insane
may not sound like a major creative breakthrough (and ultimately it
isn’t), but there are just enough countrypolitan accents in tunes like
“Forever Valentine,” “Crocodile Tears,” and the title track to show Watson
isn’t just a honky tonk man, and his way with a weeper is every bit as
strong as his knack for tunes about beer drinking and good times. Watson‘s band — including Danny Levin on piano, Don Pawlak on pedal steel, and Lloyd Maines joining Watson on guitar — is in typically superb form on Call Me Insane, capturing the nuances of the intimate numbers and delivering the right amount of revved-up energy when Watson turns it up on his tribute to the Ol’ Possum, “Jonesin’ for Jones,” and his celebration of true love, “Hot Dang.” Watson
is as strong a songwriter as he is a singer, and he can tell the tale
of a working man (“A Day at a Time”), describe a romance gone bad South
of the Border (“Tienes Cabeza de Palo”), or ponder his own idea of
paradise (“Heaven’s Gonna Have a Honky Tonk”) with down-to-earth smarts
and a real gift for wordplay. In the grand tradition of Merle Haggard and Buck Owens, Dale Watson may not crank out masterpieces on a regular basis, but he never fails to deliver the goods when he goes into the studio, and Call Me Insane
shows the honky tonk man can still write ’em and sing ’em as well as
you could hope, and he’s not slowing down a quarter-century into his

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